highvolumetal: The Face of Another , Hiroshi Teshigahara ,
regardintemporel: Aaron Siskind - Chicago 25, 1957
Immolation
leirelatent: Francesca Woodman, Untitled (New York, 1979-1980)
disorienteddreams: Ako (Hiroshi Teshigahara, 1965)
disorienteddreams: Meshes of the Afternoon (Maya Deren &
susannebreusscollage: © Susanne Breuss: Träume sind Schäume
d–o–r–o: Isa Marcelli
manufav: 43. cut and paste by toofangskinny
marjanzahedkindersleyphotos: nude sketches ©2013 Marjan Zahed-Kindersley.
marjanzahedkindersleyphotos: Just for Fun (collage of Nude Sketches
regardintemporel: Iwao Yamawaki - Main Articulée de Mannequin,
ozu-teapot: Voice Without a Shadow | Seijun Suzuki | 1958
le-flaneur-visuel: Emotion, Nobuhiko Ōbayashi (1966)
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vivipiuomeno1: Urs Lüthi ph. - Heart
ozu-teapot: Voice Without a Shadow | Seijun Suzuki | 1958Hideaki
OpheliaSessions
drowning-in-limbo: © Lydia Lazarus 2015
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le-flaneur-visuel: Damnation, Béla Tarr (1988)
le-flaneur-visuel: Damnation, Béla Tarr (1988)
le-flaneur-visuel: Damnation, Béla Tarr (1988)
dotroom: 100 years ago today, on February 5, 1916, Dada was
javierizquierdo: Binh Danh
vivipiuomeno1: Francesca Woodman (1958-1981)
you killed me first
discretecharm: Human life is meaningful, rich, beautiful and
le-flaneur-visuel: Damnation, Béla Tarr (1988)
bitsndpieces: “This photograph is my proof. There was that
lottereinigerforever: David Lynch on the set of Blue Velvet,
surrealist-phantoms.tumblr.com/post/139117166705/
le-flaneur-visuel: The Man Who Left His Will on Film, Nagisa
le-flaneur-visuel: Damnation, Béla Tarr (1988)
le-flaneur-visuel: Damnation, Béla Tarr (1988)