ish-bosheth: http://ish-bosheth.tumblr.com/
conceptnoir: Tilda Swinton / The Last of England (1987) /
mercedes-werner: “Equinox” © Mercedes Werner
oorequiemoo: Netosen
in the morphia honeymoon
javieribarrola: Gordon Parks, Alberto Giacometti, París, 1951
gacougnol: L. Olivier Recherches sur l’appareil tégumentaire
dailyholzer: TURN SOFT AND LOVELY ANY TIME YOU HAVE A CHANCE
newlorian: Diana Palermo, Intimacy, 2016, Collage.
nikutai: Nocturnes - 横田大輔 Daisuke Yokota
firsttimeuser: Man Ray “There is no progress in art, any more
regardintemporel: Michael Benari
le-flaneur-visuel: The Man Who Left His Will on Film, Nagisa
le-flaneur-visuel: The Man Who Left His Will on Film, Nagisa
spectrumvivace: Jean Benoît, avec Mimi Parent, en cours d’habillage.
stremplerart: Collage EMPFANG, W. Strempler, 2016
kiciawampirzyca: Nobuyoshi Araki ‘Vampire’
spectrumvivace: Joyce Mansour
le-flaneur-visuel: The Man Who Left His Will on Film, Nagisa
☽
darksilenceinsuburbia: Carl-Johan Högberg
netlex: Jean Cocteau (1889-1963) - Portrait les yeux bandés
miss-catastrofes-naturales: Andy Warhol Torso (1977)
feretros: Mark Rothko en su estudio, NY
vivipiuomeno1: Francesco Merlini (Aosta, Italy 1986) conceptual
nemfrog: Kinetic sculpture, Roundhouse, by Len Lye. An introduction
netlex: Martha Graham , 1931 -Imogen Cunningham
zzzze: Arnold Newman, Jean Arp, New York, 1949
p1r0: Petit tirage
lostinpersona: Odin’s Shield Maiden, Guy Maddin (2007)
lostinpersona: Woman in the Dunes (1964) Dir. Hiroshi Teshigahara
vivipiuomeno1: Daido MORIYAMA - Nippon Gekijo Shashincho (Japan-
cremate me after you cum on my lips
le-flaneur-visuel: Emotion, Nobuhiko Ōbayashi (1966)
le-flaneur-visuel: Damnation, Béla Tarr (1988)
vivipiuomeno1: Masao Yamamoto ph. - Untitled #764 (from a Box