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hopefullyhanagh: sexanax: its so wild to think about how different

vampture

vampture

amare-habeo: René Magritte (Belgian, 1898-1967) Le modèle,

soundsof71: Sonny & Cher & Smilin’ Bob

stopdropandvogue: backstage at Maison Martin Margiela Spring/Summer

mxdvs: Tattoo by Mirko Sata

this is good. this is real. i’m still scared shitless but it’s

lanangon: Matisse The Blue Room

art-et-musique: H.C. Skov

lu-art: East Side Interior Edward Hopper, 1922.

tomatodust: “uprooted”, 2016

lilithsplace: A Sunny Afternoon in 1913, 1957 - Max Ernst (1891–1976)

proleutimpressionists: 64 days in heaven and hell (93)Day 9

topcat77: Stabilisierter kern, 1962   Max Bill

ions-in-the-ether: Carmen Herrera, Black and White, 1952

ions-in-the-ether: Robert CotoOctober 11 · RC15_#1 / Surface.

nabiloou: Bassam Nasser

nevver: Legoland

ions-in-the-ether: Kit ReutherAbstract #915oil on canvas, 36

ions-in-the-ether: Stephen Nelson‎Asemic Writing: The New

blue-voids: Zhou Xinhua - The Scenery of the City No. 2, 2014

boycrazyladykiller: Attila Richard Lucaks, Untitled, 2003

androphilia: Photograph by Harley Weir

semioticapocalypse: Bob Carlos Clarke [::SemAp Twitter || SemAp::]

laclefdescoeurs: Camellias, Bletia hyacinthina, Daisies and

jimlovesart: Andy Warhol - Querelle, 1982. 

atomic-flash: Covered Wagons & A Mushroom Cloud - Early

onlyoldphotography: Cecil Beaton: Three models dressed in Ladurée

MFKopp

lazypacific: photo by Kyle Thompson

elevatorteeth: the world im going to describe is small

ashmoonbaby: desertkiss: flowers at the san francisco botanical

laclefdescoeurs: The Grape Harvest, 1880, Jules Bastien-Lepage

semioticapocalypse: Ernö Vadas. Prams also produced by the

THE COLD OF ANXIETY IS VERY REAL