cydoniasan: ”The journey of a thousand miles begins with a
masterpiecedaily: Rogier van der Weyden Crucifixion Diptych
tierradentro: “The Man of Sorrows”, 15th century, Andrea
Jean-Baptiste-Camille Corot (Paris, 1796 - 1875)
littlemisssoul: John taking it easy
vcrfl: Sir William Newenham Montague Orpen: The Eastern Gown,
hellenismo: Sculptured marble panel dedicated by women officials
Johan Hendrik Weissenbruch (1824 - 1903), Cellar interior, n/d
nataliakoptseva: Alexander Dejneka 1928
nataliakoptseva: James Tissot,
renaissance-art: Bellini c. 1487 San Giobbe Altarpiece
foudre: “Sisters”Amica, September 2013Charlotte
loftcultural: Candido Portinari - O Lavrador de Café (1939)
galerie-martin: Jenő Benedek - Ketten a parton, 1968. Oil on
lyghtmylife: SZINYEI MERSE, Pál [Hungarian Politician and Painter,
italianartsociety: On this day in 1339, the General Council
Neuroscience: First Pre-Clinical Gene Therapy Study to Reverse
lyghtmylife: Júlio Pomar (Portuguese Painter 1926-) Lusitânia
Vittore Carpaccio (Venezia, 1472 - Capodistria, 1526); Meditation
centuriespast: Jean Hey, known as The Master of Moulins, active
urgetocreate: Pierre Bonnard, By the Sea, Under the Pines, 1921
thorsteinulf: Anthony John Plowden Eyton - The Tank, Bankside
hadrian6: Interior of the old Museum. Henri Joseph Van Dyck.
poboh: Floral symphony, Gerrit Haverkamp. Dutch (1872 - 1926)
italianartsociety: On this day in 1582, Florentine sculptor
currentsinbiology: Bacteria in Mouth Implicated in Colorectal
artmodelnyc: Vaudeville Musicians by Charles Demuth via Movers
artmastered: Sybil Andrews, Gethsemane, 1951
museumuesum: Chris Martin Water (7x7), 1999, Acrylic on canvas,
kecobe: Bob Thompson (American; 1937–1966)St. Matthew’s
peira: Francis Speight: House, Winston-Salem (c.1970) via
blastedheath: german-expressionists Walter Gramatté (German,
urgetocreate: John Evans, Very Quiet, 2008, oil, 60 x 48
thorsteinulf: John Minton - Corsican Landscape (1947)
lyghtmylife: RIBALTA, Francisco [Spanish Baroque Era Painter,
tierradentro: “The Three Crosses”, c.1620, Peter Paul Rubens.