9710144:
azerables: untitled by arturo oliva pedroza on Flickr.
geminiscene: alex james and damon albarn of blur, 1990s
asalvadorsala: Wheel of Ashes, 1968 #PierreClémenti #PeterEmmanuelGoldmanhttps://www.instagram.com/p/CYjIY90tRB1/?utm_medium=tumblr
last-picture-show:Michael Rougier, Tokyo, 1964
hypnagoria
-in love & broken hearted-
the darkness of the room was like sunlight to me
theleoisallinthemind:Birthe Piontek
Michael Loos
thatsbutterbaby: Balthasar Burkhard, Wave, 1995.
gravitylost:
michael-loos:it’s me
offfblackk:Flesh by Luigi Creese 2021
yama-bato2: ©yama-bato
nevahosking: rainy studio
matthishealy: ⌷ ⌷ ⌷ ⌷ ⌷ ⌷
klassizismus:Detail: Hercules Killing the Hydra, Jan Harmensz.
the darkness of the room was like sunlight to me
Michael Loos
Michael Loos
Michael Loos
35tbw:Hamburger eyes issue 10
my-misery-index: “Soon after this, as the streetcars became
Helter Skelter
inneroptics: Bernard Plossu - Self-portrait, Arizona 1980
joeinct: The Sun is Longing for the Sea, Photo by Hiroshi Yamazaki,
victormalonso:el mar es una mujer | víctor m. alonso
localbookshop: Jean-Paul Sartre, The Selected Essays
lelaid:Christy Turlington by Kurt Markus for British Vogue, February
°°°
lifeandjournal:Source
sigurism: Marianne FaithfullThe Girl On a Motorcycle (La Motocyclette)Dir
jinxproof: © Katja Mayer
redrola:
theimpossiblecool:“Once you’ve got one scar on your face