postpunkygirl2: Debbie Harry by Steve Emberton, London 1977
be groovy or leave, man
together for Lucifer
eternal internal
eternal internal
formerly @jimmypagesandbrianmayshair
eternal internal
eternal internal
holliesgolightly: Numero #43 “La Plage Privee” by Mikael
seanmorroww: Carla dal Forno - Fast Moving Cars [Blackest Ever
etherealsuggestion: I’m distant but it’s not cute or mysterious;
absolutely60s: “I turn my collar to the cold, I pull my cap
woodstockbabe: it’s clockwork baby
J.S
robotcosmonaut: Bob Dylan, Newport, 1963
blowmyblues: When you tell people you’re a self taught guitarist
💫
💫
christiescloset:Vintage vroom ☀️ sun come baaaack please
melancholia
amandesbleus: Hedi
dustulator: MAISON MARTIN MARGIELA “CASTING” SERIES for
postpunkindustrial: Review of Lou Reeds - Metal Machine Music
kneesdeeps: Sonic Youth
you-know-you-are-right: “A friend of mine introduced me to
soviet-hippie: Sonic Youth , 1989 USSR ( Russia )
la-di-da
soviet-hippie: Sonic Youth , 1989 USSR ( Russia )
handsome and gretel
thegoldenyearz: Jimi Hendrix by Dominique Tarlé, London, 1969
iwillloveyoubabyalways94: Do you ever look at Keith Richards
death disco cult
loveziggyna2: David & Gilda Radner attend the opening
aesthetically significant
pandancake: https://www.instagram.com/p/0HDQdzC6lR/
Heavier Things