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horroredits:Annihilation (2018) dir. Alex Garland

horroredits:Annihilation (2018) dir. Alex Garland

zen-coleman:ZENDAYAfor Valentino’s Rendez-Vous spring 2022

zen-coleman:ZENDAYAfor Valentino’s Rendez-Vous spring 2022

criterioncloset:Love Streams (1984) | dir. John Cassavetes

criterioncloset:Love Streams (1984) | dir. John Cassavetes

classicfilmsource:Tatiana Samoilova inThe Cranes Are Flying1957

classicfilmsource:Tatiana Samoilova inThe Cranes Are Flying1957

gaashina:– I could be content here, if you were with me.THE

gaashina:– I could be content here, if you were with me.THE

rentalfilm:Don’t cry in my office.The French Dispatch, 2021dir.

rentalfilm:Don’t cry in my office.The French Dispatch, 2021dir.

olreid:ALTshirley jackson, we have always lived in the castle

olreid:ALTshirley jackson, we have always lived in the castle

nowayhome:SOLAR POWER - LORDE dir. Joel Kefali and Ella Yelich-O’Connor

nowayhome:SOLAR POWER - LORDE dir. Joel Kefali and Ella Yelich-O’Connor

badwylfs:We knew that the girls were really women in disguise,

badwylfs:We knew that the girls were really women in disguise,

movie-gifs:Ghosts are real. This much I know. There are things

movie-gifs:Ghosts are real. This much I know. There are things

criterioncloset:Black Narcissus (1947) dir. Emeric Pressburger &

criterioncloset:Black Narcissus (1947) dir. Emeric Pressburger &

bu99erfly:ISTKÜNST x SEÜLGI 2022 S/S COLLECTION

bu99erfly:ISTKÜNST x SEÜLGI 2022 S/S COLLECTION

bijespers:     2022 JOURNAL » The Night House (2020) dir. David

bijespers: 2022 JOURNAL » The Night House (2020) dir. David

the life of a stupid man

the life of a stupid man

talesfromthecrypts:  And I think that day I decided that I was

talesfromthecrypts: And I think that day I decided that I was

criterioncloset:FROM SCRIPT TO SCREEN ↳ BADLANDS (1973) dir.

criterioncloset:FROM SCRIPT TO SCREEN ↳ BADLANDS (1973) dir.

hirxeth:C’mon C’mon (2021) dir. Mike Mills

hirxeth:C’mon C’mon (2021) dir. Mike Mills

bollyswood:  ZOË KRAVITZ & ROBERT PATTINSONEntertainment

bollyswood: ZOË KRAVITZ & ROBERT PATTINSONEntertainment

robertmitchum:LOS ANGELES in NIGHT ON EARTH dir. Jim Jarmusch 

robertmitchum:LOS ANGELES in NIGHT ON EARTH dir. Jim Jarmusch 

tvandfilm:HOWL’S MOVING CASTLE (2004) | dir. Hayao Miyazaki

tvandfilm:HOWL’S MOVING CASTLE (2004) | dir. Hayao Miyazaki

sketiana:the style in which theyre photographed makes them look

sketiana:the style in which theyre photographed makes them look

television:Anya Taylor-Joy as Alexandra “Sandie” Collins  Last

television:Anya Taylor-Joy as Alexandra “Sandie” Collins  Last

steviemarriott:JANE EYRE (2011) dir. Cary Joji Fukunaga

steviemarriott:JANE EYRE (2011) dir. Cary Joji Fukunaga

ewan-mcgregor:BEGINNERS (2010) dir. Mike Mills

ewan-mcgregor:BEGINNERS (2010) dir. Mike Mills

cxhbaileyz:  Chlöe’s Instagram Update (February 12, 2022)

cxhbaileyz: Chlöe’s Instagram Update (February 12, 2022)

bardems:IN THE MOOD FOR LOVE2000 | dir. Wong Kar-Wai

bardems:IN THE MOOD FOR LOVE2000 | dir. Wong Kar-Wai

bardems:Never rat on your friends, and always keep your mouth

bardems:Never rat on your friends, and always keep your mouth

misandriste:이영애 as 이금자친절한 금자씨 2005, dir.

misandriste:이영애 as 이금자친절한 금자씨 2005, dir.

koreedas:STAYC — W Korea, March 2022ph. Park Jongha, styling

koreedas:STAYC — W Korea, March 2022ph. Park Jongha, styling

bijespers:    2022 JOURNAL » The Worst Person in the World (2021)

bijespers: 2022 JOURNAL » The Worst Person in the World (2021)

dailyflicks:The path of the righteous man is beset on all sides

dailyflicks:The path of the righteous man is beset on all sides

scanlenseliza:LANA DEL REY (2011-2021)

scanlenseliza:LANA DEL REY (2011-2021)

mike-mills:Wild Strawberries (1957) dir. Ingmar Bergman

mike-mills:Wild Strawberries (1957) dir. Ingmar Bergman

beck-oliver:  HEATHERS(1988) dir. Michael Lehmann

beck-oliver: HEATHERS(1988) dir. Michael Lehmann

my body; the exit wound

my body; the exit wound

amatesura: Bram Stoker’s Dracula (1992)  | dir.  Francis Ford

amatesura: Bram Stoker’s Dracula (1992) | dir. Francis Ford