daily-ghibli:There is grief and sorrow here, but there is also
arpeggia:Kevin Michael O’Connell - Inundation, 2014-2017
nobrashfestivity:Shujiro Shimomura, Poster Design, 1929
samuelljackson: Gladiator (2000) directed by Ridley Scott.
fatmdaily: Florence Welch photographed by Vincent Haycock
sluggyscans: MODERN FOLK PAINTINGS IN TIANJIN NORTHERN OUTSKIRTS
ozu-teapot: The Passion of Joan of Arc | Carl Theodor Dreyer
lovenotereminders: The goal of recovery isn’t to go back to
bills-skarsgards: I’ve got nothing to tell. TO DIE FOR (1995)
betamaya:Dimmi cos'è che ci fa sentire unitianche se siamo lontani.
stellasofiakummer:India & Sri Lanka on film
blue-voids: Guy Sargent - What Lies Beneath the Surface, 2006-09
barcarole: James Baldwin at home in Neuilly, 1970. Photos by
filmsby: “I think anybody who falls in love is a freak. It’s
frostklamm: when there was only us
vvitch better have my money
uglyseason:Jenny Slate for Coveteur, October 2019
jamesvflint: @ the rest of the world, get on istanbul’s level
flawlessgentlemen: LaKeith Stanfield photographed by Mike Ruiz
wildparsnip:these are some sketches I made for the film Midnight
cinemaspam: I couldn’t have kissed her, without wanting to
catasters:
andreii-tarkovsky: Stalker (1979) Dir. Andrei Tarkovsky
julidescole: cloudy mountains // prints here // redbubble //
joannanewsomtruisms: THE WAY IT WILL ALL COME TOGETHER IN QUIETNESS
holly-warbs:People that I’ve passed by.
timotaychalamet: Autumn Sonata (1978) dir. Ingmar Bergman
joaquins-phoenixs: FKA twigs - holy terrain feat. Future
Desaparecidos
madeofwhitebone: Red reminds me of home
“i’m chilling”, i say as i’m obviously and visibly spiraling
lostinhistorypics:Everything about this is soft and dreamy, like
derangedrhythms: Mary Shelley, from ‘Literary Witches’, illustrated
twineaks: Rosalía by Camila Falquez for The FADER, Summer 2019
pattiocleavis: “But how entirely I live in my imagination;
barcarole: I lie for days in a forest, and read Schopenhauer…