cowlovely:I spent. all fucking day making this but I’m proud
emilysblunt:A Most Violent Year (2014)
lonequixote: The Kiss (detail) by Gustav Klimt (via @lonequixote)
leaderirene:instagram.com/p/B-GlkGZBnYb
luthienne: Anne Stevenson, Stone Milk; “A Lament for the Makers”[Text
forcebensolo: I don’t think anyone said that, and I wouldn’t
abadonnas.tumblr.com/post/616164294354157568/
neonoirprincess: “He’s more myself than I am. Whatever
cyberqueer:SPIRITED AWAY 千と千尋の神隠し (2001) dir. Hayao
95z: no thoughts head empty
queerpyracy: y’all remember when people used to make posts
bongjoonsho: The Invisible Man (2020) dir. Leigh Whannell
weltenwellen: Rainer Maria Rilke, Selected Letters, 1902-1922
cinemagal: THE FRENCH DISPATCH (2020)dir. Wes Anderson
sirenoirs: “You leaned over me as the great willow of melancholy
suckkerfree-deactivated20210616:
yelena-belxva:Emma (2020) Dir. Autumn de Wilde
wtxch:2016_No.41 田中千智「夏のケモノ by Chisato Tanaka
ilysansa: Always believe in yourself. Do this and no matter
dailylarina: Ultraviolence (2014)Lana Del Rey
e-seal-deactivated20210319:When ur 10 and you get ur first pair
princesshalfdemon:i’m not like other girls. i don’t
carol-danvers:The Graduate (1967) dir. Mike Nichols, cinematography
patrocles: I only want to keep Harriet for myself. E M M A .
blurays:Choi Woo-shik as Yong-gukTrain to Busan (2016) dir. Yeon
my body; the exit wound
genekellys:BEGINNERS dir. Mike Mills
dreamyfilms: the piano (1993, dir. jane campion)
schmookens:
cryptomnesia: my favourite Bernini statue isn’t a real statue,
angelsatmytable: On Being Ill, Virginia Woolf
blurays: At the edge of our hope, at the end of our time, we
poutaes: BTS 2020 SEASON’S GREETINGS Preview Cuts
witchinghour:Les yeux sans visage (1960) dir. Georges Franju
femaleidols:joy x GQ magazine
filmaticbby:Solaris (1972) dir. Andrei Tarkovsky