rihznna:Taxi Driver (1976) dir. Martin Scorsese
verachytilovas:EARLY SPRING ‘早春, Sōshun’ (1956) dir.
serpenservm: “Grey Gardens”, Maysles brothers. 1975.
mikaeled:Eventually, you realize she isn’t the same person
redvelvetcult:the power of joy
lofeel:YOU’RE FROM A FARAWAY STARLAND
neillblomkamp:Thelma (2017) Directed by Joachim Trier
horrorgifs:🛀 🩸THE DESCENT (2005)EVIL DEAD II (1987)CARRIE
martacabreras:The work I do is very much a reflection of the
horrorgifs:THE SHINING (1980) dir. Stanley Kubrick
nekaaaus: 哀しみのベラドンナ, Kanashimi no Belladonna
kimwxler:He did nothing. The law has little to say on things
kpopmusics
curatedfortheartist:Mai Ta (@qmaita) From the series “I
chewbacca:Your Name. (2016), dir. Makoto Shinkai
only1:Beyoncé for Rolling Stone (2000)
samuelljackson: The Grand Budapest Hotel (2014) dir. Wes Anderson
deforest:Water elements in SAMURAI I: MUSASHI MIYAMOTO (1954)
noirwerk:ANYA TAYLOR-JOY | Allure Magaziine, September 2018
beyonceknowless:What I want is for the humans and the forest
sourceblog: DAKOTA JOHNSONSUSPIRIA (2018)
the life of a stupid man
thspecials:The Panic in Needle Park (Jerry Schatzberg, 1971)
icons
evanzbuck:DAKOTA JOHNSON as Penelope Lannier in A BIGGER SPLASH
brittadperry:SEDMIKRÁSKY • DAISIES 1966, dir. Věra Chytilová
yurinomics: Chungking Express (重慶森林), 1994 (Scene not
popularcultures:FKA twigsholy terrain, 2019
kaspgaytozier:Matthias & Maxime (2019 Dir. Xavier Dolan)
henricavyll: Do you have to use so many cuss words?The Big Lebowski
verachytilovas:LILITH (1964) dir. Robert Rossen
lebonmiel:Riz Ahmed by Sharif Hamza for Farfetch (March 2019).
verachytilovas:TOKYO TWILIGHT ‘東京暮色, Tōkyō boshoku’
samaraweaving:Control, it’s all about control. ENEMY (2013)
collinear:I want something more simple, natural. To wear in the
sana