lefttheparty:Florence Welch for LOVE magazine
ijaazat:
atonemant:It’s funny…the world is so different in the daylight.
verachytilovas:L’opera-mouffe (1958) dir. Agnès VardaThe Piano
abadonnas.tumblr.com/post/642441194510614528/
cinemaspast:Cinemaspast 1K Celebration: Favorite Movie Per Member:
verachytilovas:LA COLLECTIONNEUSE (1967) dir. Éric Rohmer
neocitys:Chloe x Halle Are Just Getting Started
hirxeth:The Last Black Man in San Francisco (2019) dir. Joe
hirxeth:On the Beach at Night Alone (2017) dir Hong Sang-soo
thelittlefreakazoidthatcould:My Own Private Idaho (1991) // dir.
stantler:stantler:Normalize, romanticize, problematize, caramelize,
z-kravitz:ZOË KRAVITZ IS THE NEW YORK TIMES BEST ACTOR OF 2020.
365filmsbyauroranocte:Onomichi (Nobuhiko Ôbayashi, 1963)
netals:Beau Travail (1999) dir. Claire Denis
kafk-a:Virginia Woolf, from The Waves
userjen:Not “rich, but still nice.” She’s nice because
taranstinos:THE IRISHMAN (2019) Dir. Martin Scorsese
prettygrlzz: the 17th century vampire that welcomes you in after
criterioncollection:Stalker (1979)
samuelljackson:Donny, please. The Big Lebowski (1998) dir. Joel
maddiecline:How do you know that the person you were one second
samaraweaving:We need guilt, Doctor. And shame. But not yours.
driflloon: the launch issue: bae yoon young for vogue singapore
dhaaruni: “When Daphne transforms into a bay tree, the moment
neillblomkamp:Jacob’s Ladder (1990) Directed by Adrian Lyne
andysambrg:I don’t know where I’m going but I do know why.
abadonnas.tumblr.com/post/642243535223062528/
nicholas-brauns:Look, Mom, I’m a fuck-up and I’m an outcast
kreeves:Life’s but a walking shadow. Honor. Love. Friends.
popularcultures:SZA for FADER MAGFebruary 2018
cinematv:I have no feelings. Get that into your head. And if
365filmsbyauroranocte: Heart of Glass (Werner Herzog, 1976)
julia-the-fan: I feel like if someone were to touch me, I’d
thesoulfunkybrother:- Portraits by Gabriela Mendez. 17′
zagremuhina:mujeres al borde de un ataque de nervios (1988),